|
Knowle West Boy | 
 enlarge | Artist: Tricky
Label: Domino
Category: Music
List Price: $13.98
Buy Used: $6.99
You Save: $6.99 (50%)
New (42) Used (19) from $6.99
Rating:  8 reviews
Sales Rank: 3416
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.9 x 0.4
MPN: 194
UPC: 801390019425
EAN: 0801390019425
ASIN: B001CVCBEY
Release Date: September 9, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: CD is like new and complete with all artwork. Scratch-free disc guaranteed to play perfectly. Ships first class at no extra charge.
| |
| Tracks:
| • | Puppy Toy | | • | Bacative | | • | Joseph | | • | Veronika | | • | C'Mon Baby | | • | Council Estate | | • | Past Mistake | | • | Coalition | | • | Cross to Bear | | • | Slow | | • | Baligaga | | • | Far Away | | • | School Gates |
|
| Similar Items:
|
| Editorial Reviews:
Product Description
Tricky is back with an album named after the Bristol neighborhood where he grew up. It details the travels and travails of his youth, resulting in an eclectic aural history of his diverse upbringing. He reaches into post-punk, Two-Tone, reggae, hip-hop, and pop, twisting them into surreal songscapes. Tricky uses his astonishingly eclectic band and a host of great undiscovered singers to create the most varied and accessible set of his career.
Album Description
US pressing. 2008 album from the innovative Trip Hop/Electronica pioneer and former member of Massive Attack. Knowle West Boy, his first full-length in over five years, is the album that sums up everything that Tricky has accomplished since his 1995 Maxinquaye debut. Named after his place of birth (Knowle West), the album is a personal rediscovery of sounds and influences. Mixing Hip Hop, Punk, Reggae and Rock with his own inimitable style, results in a broad yet intense record. Includes the single 'Council Estate'. Domino.
|
| Customer Reviews: Read 3 more reviews...
 one of tricky's best November 9, 2008
this album is good for a tricky album. if your into the evolution of tricky, you will like this one. allot different than the old stuff but still on the same feel. if your into taking long walks, this album is good for that.
The end of the longest drought in musical history September 27, 2008
2 out of 5 found this review helpful
Great early work with Massive Attack was followed by Maxinquaye easily one of the top ten releases of the 90's and then nothing. Oh there was a cut here and there that teased at the genius of his early work, but nothing consistent. Well folks, the drought is over. This may be even better than Maxinquaye. I won't rush to judgement on that issue until I hear this disc a few hundred more times, but I am just happy that he still has it in him. My favorite cut opens the disc, Puppy Love. I cannot get it outta my head a mix of a smoky piano lounge sound, some violin and the Tricky hip hop signature whisper. It segues into the wonderful Bacative and the disc never lets up except for one throwaway track that sounds more like some of his weaker experimental stuff, Coalition. As usual he fills the disc with lots of unknown talent and he emerges triumphant with the best trip-hop disc in over a decade.
 mixed bag: some Nearly God, some just OK September 17, 2008
3 out of 5 found this review helpful
Many tracks are reminiscent of Nearly God, which I thought was terrific albeit not as good as Maxinquaye. Best two tracks are, by far, Veronika and Past Mistake. Those two tracks are alone worth the price. Others are as uneven as Pre-Millenium Tension. His experiments with rock guitar are where this album hits and misses: Puppy Toy is pretty great. Council Estate has very nice parts to it although it could be more coherent. Ultimately, this album would be much better reduced to eleven tracks, minus C'mon Baby and Slow.
Tricky is back in the music game September 13, 2008
9 out of 12 found this review helpful
I heard the songs and I immediately knew--the oddly phrased piano lick in "Puppy Toy", the resurgent aggression of "C'mon Baby", the drivingly exotic groove of "Baligaga", the moving real-time elegy of "Joseph"--Tricky, whom I have come to love for the genius of his early work and his career-spanning sense of ear-catching sounds, has returned! After what started to seem like a death knell with the release of the stale albums Blowback and Vulnerable, Tricky has returned to the music world sounding 100% fresh and ready to take a whole new audience by storm. Now, though, he's turned his old mistakes into new disciplines, and that's what makes Knowle West Boy superb.
How Knowle West Boy really wins my favor is that it combines both new (rock and dance) and old (trip hop, hip hop, and ambient) elements of Tricky's repertoire into something greater, making the album very much an opus. While it is not so hazy as Maxinquaye or Nearly God, it exudes the same offbeat catchiness of those early works. Many hooks and ideas that might have belonged to Blowback or Vulnerable also appear here, but in the context of the vastly improved songwriting they sound completely different. In the song "Joseph" I especially grow nostalgic, hearing so much of a resemblance to the sorrowfully introspective stuff of Tricky's early years--and yet this new track does not lose any credibility for being so much better produced than in the past, a problem that plagued Tricky just a two albums ago.
To his credit, Knowle West Boy draws on many elements that Tricky has not had success with before and expands on those he has. Most prominent here is the more electrified rock-driven sound he tried to pick up at the beginning of the New Millennium. Amazingly, that electro-rock sound works here--songs like "Slow" and "Far Away" breathe and invite the listener, instead of making them feeling trapped in a static field. Ideas reminding of Goldfrapp and Gorillaz have crept in and reveal a renewed sense of Tricky's intimacy with modern music as a writer and a producer. In place of the repetitive and over-produced sounds of Blowback and Vulnerable, these pieces feel as fresh and thoughtful as Tricky's older, more mellow material, in spite of being divergent in style and sound. This is the album's greatest accomplishment and something that Tricky should be very proud of--that he has evolved as an artist and succeeded in that evolution (after several years of trying).
I can't say enough how well Tricky's combination of music and lyrics can capture what superficially might be a ghetto memoir or a drug-induced phantasm and make it feel like an existential treatise that applies to everyone. I am reminded in places of songs like "Peyote Sings" and "Lyrics of Fury" and yet the overall album never lulls into the dreamy sleep that made his early recordings work. Aforementioned songs like "Baligaga" (with its thwacking bass, in-and-out drum layering, and sweltering saxophone) and "Joseph" (subtley percussive beneath a layer of amniotic dreaming) have just enough wailing, anguished siren song in the back of their off-kilter grooves to invite a lot of comparison to Tricky's early 90's ability to put one into a different state of mind.
I feel like we finally have our prophet of Bristol sound back after years in the wilderness. Clearly, however, he has moved on to a new sound altogether--he brings to us new commandments, but they bear the same strange and wonderful news as before. Knowle West Boy is arguably Tricky's most successful forward leap in his entire career, moving beyond Bristol sound and yet maintaining his message and his credibility. The album brings renewed hope that there is still a lot of promise left in the Tricky Kid.
Pick and choose on this one September 12, 2008
6 out of 9 found this review helpful
If you're a Tricky fan from way back, this record will mostly frustrate you. Not present here is the style that made him famous, which was taking the beats and styles you know and twisting them into something fresh and compelling. Much like his last couple of records, this record largely contains tracks that are a mish-mash of styles attempting to create a new genre that doesn't want to be created. There are a couple of tracks I'd recommend: "Baligaga", "Coalition" and "School Gates" has that "Nearly God" vibe down cold. but most of this record is stuff you can appreciate, but probably don't want to hear a lot of.
If you thought his last couple of records were awesome, you'll really dig this. If you thought he's gone downhill since around his fourth or album, you won't like this one either. For me this was really more like 2.5 stars.
|
|
|
|
